Digital Mixer
Allen & Heath dLive DM64 MixRack
Allen & Heath·Model dLive DM64·allen-heath-dlive-dm64
About the Allen & Heath dLive DM64
The dLive DM64 doubles the channel count of the DM48: 128 input / 64 output, same XCVI processing engine, same dual gigaACE redundant link. Used on major touring rigs that need every preamp on stage routed independently. 11U is a real rack commitment but the channel density per U is competitive with DiGiCo SD-Rack. Pairs naturally with the S5000 or S7000 surface; can also drive a C-class surface if the budget runs out before the channel count does.
128 input / 64 output mixrack — top of the dLive DM line. Fly-rack workhorse on major tours.
I/O Ports (204)
| Port | Connector | Direction | Signal | Channels |
|---|---|---|---|---|
| Mic In 1 | XLR FEMALE | input | analog audio | — |
| Mic In 2 | XLR FEMALE | input | analog audio | — |
| Mic In 3 | XLR FEMALE | input | analog audio | — |
| Mic In 4 | XLR FEMALE | input | analog audio | — |
| Mic In 5 | XLR FEMALE | input | analog audio | — |
| Mic In 6 | XLR FEMALE | input | analog audio | — |
| Mic In 7 | XLR FEMALE | input | analog audio | — |
| Mic In 8 | XLR FEMALE | input | analog audio | — |
| Mic In 9 | XLR FEMALE | input | analog audio | — |
| Mic In 10 | XLR FEMALE | input | analog audio | — |
| Mic In 11 | XLR FEMALE | input | analog audio | — |
| Mic In 12 | XLR FEMALE | input | analog audio | — |
| Mic In 13 | XLR FEMALE | input | analog audio | — |
| Mic In 14 | XLR FEMALE | input | analog audio | — |
| Mic In 15 | XLR FEMALE | input | analog audio | — |
| Mic In 16 | XLR FEMALE | input | analog audio | — |
| Mic In 17 | XLR FEMALE | input | analog audio | — |
| Mic In 18 | XLR FEMALE | input | analog audio | — |
| Mic In 19 | XLR FEMALE | input | analog audio | — |
| Mic In 20 | XLR FEMALE | input | analog audio | — |
| Mic In 21 | XLR FEMALE | input | analog audio | — |
| Mic In 22 | XLR FEMALE | input | analog audio | — |
| Mic In 23 | XLR FEMALE | input | analog audio | — |
| Mic In 24 | XLR FEMALE | input | analog audio | — |
| Mic In 25 | XLR FEMALE | input | analog audio | — |
| Mic In 26 | XLR FEMALE | input | analog audio | — |
| Mic In 27 | XLR FEMALE | input | analog audio | — |
| Mic In 28 | XLR FEMALE | input | analog audio | — |
| Mic In 29 | XLR FEMALE | input | analog audio | — |
| Mic In 30 | XLR FEMALE | input | analog audio | — |
| Mic In 31 | XLR FEMALE | input | analog audio | — |
| Mic In 32 | XLR FEMALE | input | analog audio | — |
| Mic In 33 | XLR FEMALE | input | analog audio | — |
| Mic In 34 | XLR FEMALE | input | analog audio | — |
| Mic In 35 | XLR FEMALE | input | analog audio | — |
| Mic In 36 | XLR FEMALE | input | analog audio | — |
| Mic In 37 | XLR FEMALE | input | analog audio | — |
| Mic In 38 | XLR FEMALE | input | analog audio | — |
| Mic In 39 | XLR FEMALE | input | analog audio | — |
| Mic In 40 | XLR FEMALE | input | analog audio | — |
| Mic In 41 | XLR FEMALE | input | analog audio | — |
| Mic In 42 | XLR FEMALE | input | analog audio | — |
| Mic In 43 | XLR FEMALE | input | analog audio | — |
| Mic In 44 | XLR FEMALE | input | analog audio | — |
| Mic In 45 | XLR FEMALE | input | analog audio | — |
| Mic In 46 | XLR FEMALE | input | analog audio | — |
| Mic In 47 | XLR FEMALE | input | analog audio | — |
| Mic In 48 | XLR FEMALE | input | analog audio | — |
| Mic In 49 | XLR FEMALE | input | analog audio | — |
| Mic In 50 | XLR FEMALE | input | analog audio | — |
| Mic In 51 | XLR FEMALE | input | analog audio | — |
| Mic In 52 | XLR FEMALE | input | analog audio | — |
| Mic In 53 | XLR FEMALE | input | analog audio | — |
| Mic In 54 | XLR FEMALE | input | analog audio | — |
| Mic In 55 | XLR FEMALE | input | analog audio | — |
| Mic In 56 | XLR FEMALE | input | analog audio | — |
| Mic In 57 | XLR FEMALE | input | analog audio | — |
| Mic In 58 | XLR FEMALE | input | analog audio | — |
| Mic In 59 | XLR FEMALE | input | analog audio | — |
| Mic In 60 | XLR FEMALE | input | analog audio | — |
| Mic In 61 | XLR FEMALE | input | analog audio | — |
| Mic In 62 | XLR FEMALE | input | analog audio | — |
| Mic In 63 | XLR FEMALE | input | analog audio | — |
| Mic In 64 | XLR FEMALE | input | analog audio | — |
| Mic In 65 | XLR FEMALE | input | analog audio | — |
| Mic In 66 | XLR FEMALE | input | analog audio | — |
| Mic In 67 | XLR FEMALE | input | analog audio | — |
| Mic In 68 | XLR FEMALE | input | analog audio | — |
| Mic In 69 | XLR FEMALE | input | analog audio | — |
| Mic In 70 | XLR FEMALE | input | analog audio | — |
| Mic In 71 | XLR FEMALE | input | analog audio | — |
| Mic In 72 | XLR FEMALE | input | analog audio | — |
| Mic In 73 | XLR FEMALE | input | analog audio | — |
| Mic In 74 | XLR FEMALE | input | analog audio | — |
| Mic In 75 | XLR FEMALE | input | analog audio | — |
| Mic In 76 | XLR FEMALE | input | analog audio | — |
| Mic In 77 | XLR FEMALE | input | analog audio | — |
| Mic In 78 | XLR FEMALE | input | analog audio | — |
| Mic In 79 | XLR FEMALE | input | analog audio | — |
| Mic In 80 | XLR FEMALE | input | analog audio | — |
| Mic In 81 | XLR FEMALE | input | analog audio | — |
| Mic In 82 | XLR FEMALE | input | analog audio | — |
| Mic In 83 | XLR FEMALE | input | analog audio | — |
| Mic In 84 | XLR FEMALE | input | analog audio | — |
| Mic In 85 | XLR FEMALE | input | analog audio | — |
| Mic In 86 | XLR FEMALE | input | analog audio | — |
| Mic In 87 | XLR FEMALE | input | analog audio | — |
| Mic In 88 | XLR FEMALE | input | analog audio | — |
| Mic In 89 | XLR FEMALE | input | analog audio | — |
| Mic In 90 | XLR FEMALE | input | analog audio | — |
| Mic In 91 | XLR FEMALE | input | analog audio | — |
| Mic In 92 | XLR FEMALE | input | analog audio | — |
| Mic In 93 | XLR FEMALE | input | analog audio | — |
| Mic In 94 | XLR FEMALE | input | analog audio | — |
| Mic In 95 | XLR FEMALE | input | analog audio | — |
| Mic In 96 | XLR FEMALE | input | analog audio | — |
| Mic In 97 | XLR FEMALE | input | analog audio | — |
| Mic In 98 | XLR FEMALE | input | analog audio | — |
| Mic In 99 | XLR FEMALE | input | analog audio | — |
| Mic In 100 | XLR FEMALE | input | analog audio | — |
| Mic In 101 | XLR FEMALE | input | analog audio | — |
| Mic In 102 | XLR FEMALE | input | analog audio | — |
| Mic In 103 | XLR FEMALE | input | analog audio | — |
| Mic In 104 | XLR FEMALE | input | analog audio | — |
| Mic In 105 | XLR FEMALE | input | analog audio | — |
| Mic In 106 | XLR FEMALE | input | analog audio | — |
| Mic In 107 | XLR FEMALE | input | analog audio | — |
| Mic In 108 | XLR FEMALE | input | analog audio | — |
| Mic In 109 | XLR FEMALE | input | analog audio | — |
| Mic In 110 | XLR FEMALE | input | analog audio | — |
| Mic In 111 | XLR FEMALE | input | analog audio | — |
| Mic In 112 | XLR FEMALE | input | analog audio | — |
| Mic In 113 | XLR FEMALE | input | analog audio | — |
| Mic In 114 | XLR FEMALE | input | analog audio | — |
| Mic In 115 | XLR FEMALE | input | analog audio | — |
| Mic In 116 | XLR FEMALE | input | analog audio | — |
| Mic In 117 | XLR FEMALE | input | analog audio | — |
| Mic In 118 | XLR FEMALE | input | analog audio | — |
| Mic In 119 | XLR FEMALE | input | analog audio | — |
| Mic In 120 | XLR FEMALE | input | analog audio | — |
| Mic In 121 | XLR FEMALE | input | analog audio | — |
| Mic In 122 | XLR FEMALE | input | analog audio | — |
| Mic In 123 | XLR FEMALE | input | analog audio | — |
| Mic In 124 | XLR FEMALE | input | analog audio | — |
| Mic In 125 | XLR FEMALE | input | analog audio | — |
| Mic In 126 | XLR FEMALE | input | analog audio | — |
| Mic In 127 | XLR FEMALE | input | analog audio | — |
| Mic In 128 | XLR FEMALE | input | analog audio | — |
| XLR Out 1 | XLR MALE | output | analog audio | — |
| XLR Out 2 | XLR MALE | output | analog audio | — |
| XLR Out 3 | XLR MALE | output | analog audio | — |
| XLR Out 4 | XLR MALE | output | analog audio | — |
| XLR Out 5 | XLR MALE | output | analog audio | — |
| XLR Out 6 | XLR MALE | output | analog audio | — |
| XLR Out 7 | XLR MALE | output | analog audio | — |
| XLR Out 8 | XLR MALE | output | analog audio | — |
| XLR Out 9 | XLR MALE | output | analog audio | — |
| XLR Out 10 | XLR MALE | output | analog audio | — |
| XLR Out 11 | XLR MALE | output | analog audio | — |
| XLR Out 12 | XLR MALE | output | analog audio | — |
| XLR Out 13 | XLR MALE | output | analog audio | — |
| XLR Out 14 | XLR MALE | output | analog audio | — |
| XLR Out 15 | XLR MALE | output | analog audio | — |
| XLR Out 16 | XLR MALE | output | analog audio | — |
| XLR Out 17 | XLR MALE | output | analog audio | — |
| XLR Out 18 | XLR MALE | output | analog audio | — |
| XLR Out 19 | XLR MALE | output | analog audio | — |
| XLR Out 20 | XLR MALE | output | analog audio | — |
| XLR Out 21 | XLR MALE | output | analog audio | — |
| XLR Out 22 | XLR MALE | output | analog audio | — |
| XLR Out 23 | XLR MALE | output | analog audio | — |
| XLR Out 24 | XLR MALE | output | analog audio | — |
| XLR Out 25 | XLR MALE | output | analog audio | — |
| XLR Out 26 | XLR MALE | output | analog audio | — |
| XLR Out 27 | XLR MALE | output | analog audio | — |
| XLR Out 28 | XLR MALE | output | analog audio | — |
| XLR Out 29 | XLR MALE | output | analog audio | — |
| XLR Out 30 | XLR MALE | output | analog audio | — |
| XLR Out 31 | XLR MALE | output | analog audio | — |
| XLR Out 32 | XLR MALE | output | analog audio | — |
| XLR Out 33 | XLR MALE | output | analog audio | — |
| XLR Out 34 | XLR MALE | output | analog audio | — |
| XLR Out 35 | XLR MALE | output | analog audio | — |
| XLR Out 36 | XLR MALE | output | analog audio | — |
| XLR Out 37 | XLR MALE | output | analog audio | — |
| XLR Out 38 | XLR MALE | output | analog audio | — |
| XLR Out 39 | XLR MALE | output | analog audio | — |
| XLR Out 40 | XLR MALE | output | analog audio | — |
| XLR Out 41 | XLR MALE | output | analog audio | — |
| XLR Out 42 | XLR MALE | output | analog audio | — |
| XLR Out 43 | XLR MALE | output | analog audio | — |
| XLR Out 44 | XLR MALE | output | analog audio | — |
| XLR Out 45 | XLR MALE | output | analog audio | — |
| XLR Out 46 | XLR MALE | output | analog audio | — |
| XLR Out 47 | XLR MALE | output | analog audio | — |
| XLR Out 48 | XLR MALE | output | analog audio | — |
| XLR Out 49 | XLR MALE | output | analog audio | — |
| XLR Out 50 | XLR MALE | output | analog audio | — |
| XLR Out 51 | XLR MALE | output | analog audio | — |
| XLR Out 52 | XLR MALE | output | analog audio | — |
| XLR Out 53 | XLR MALE | output | analog audio | — |
| XLR Out 54 | XLR MALE | output | analog audio | — |
| XLR Out 55 | XLR MALE | output | analog audio | — |
| XLR Out 56 | XLR MALE | output | analog audio | — |
| XLR Out 57 | XLR MALE | output | analog audio | — |
| XLR Out 58 | XLR MALE | output | analog audio | — |
| XLR Out 59 | XLR MALE | output | analog audio | — |
| XLR Out 60 | XLR MALE | output | analog audio | — |
| XLR Out 61 | XLR MALE | output | analog audio | — |
| XLR Out 62 | XLR MALE | output | analog audio | — |
| XLR Out 63 | XLR MALE | output | analog audio | — |
| XLR Out 64 | XLR MALE | output | analog audio | — |
| gigaACE A to Surface (RJ45) | RJ45 | bidirectional | digital audio | 128 |
| gigaACE B to Surface (RJ45) [redundant] | RJ45 | bidirectional | digital audio | 128 |
| gigaACE Stage A (RJ45) | RJ45 | bidirectional | digital audio | 128 |
| gigaACE Stage B (RJ45) [redundant] | RJ45 | bidirectional | digital audio | 128 |
| AES In (XLR) | AES3 XLR | input | digital audio | — |
| AES Out (XLR) | AES3 XLR | output | digital audio | — |
| M-Series Option Slot 1 | RJ45 | bidirectional | digital audio | 128 |
| M-Series Option Slot 2 | RJ45 | bidirectional | digital audio | 128 |
| Network (RJ45) | RJ45 | bidirectional | data | — |
| Word Clock In (BNC) | BNC | input | digital audio | — |
Power
- Power A (IEC) (IEC C14)
- Power B (IEC) [redundant] (IEC C14)
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